Unveiling Noise: An Interview with Hannah Polza on Identity, Art, and Vibes
Dive into the creative mind of Hannah Polza as she discusses her collaboration in the Noise auction, her curatorial vision, and the role of storytelling in art. Discover how Polza’s multidisciplinary approach and her unique vibe stand out in a world oversaturated with content.
Hannah Polza
Hannah Polza / @HannahPolza is a multidisciplinary artist who blends digital art, AI-art, and post-photography. Her work is often characterized by vibrant colors, dominant shades of blue, unique perspectives, and a sense of exploration. A signature element of her creations is the fluidity of movement, evoking deep thought and emotional resonance.
Beyond her artistic talent, Polza is also a skilled storyteller. Her pieces often weave narratives into their visual elements, crafting stories that engage and captivate. Her art is not merely a visual experience but an emotional connection, forging a profound bond with the audience.
Interview for the ACCOMPART’S
Your artistic journey spans digital art, AI, and post-photography, all characterized by vibrant colors, fluid movement, and emotional resonance. How does your work for 𝕹𝖔𝖎𝖘𝖊 — search for unknown algorithms — incorporate these elements while embracing the auction’s theme of identity loss and digital oversaturation?
A/ When you find something meaningful and truly captivating, there comes a moment when everything pauses. Your breathing becomes slow and deep, and with each exhale, you seem to dissolve into the silence. All the noise fades away, leaving only clarity, and you can truly feel.
This is the moment we sought to capture in our work
All the noise fades away, leaving only clarity, and you can truly feel.
Your artwork for this auction is a collaboration with Art_vildtgrube (BBC). What drew you to collaborate with this artist, and how did their creative input shape the piece?
A/ To be honest, our collaboration started as a joke. We were teasing our friend Don’t Buy and told him we’d team up and create animations better than his. And we did. I can’t say we made something better, but our partnership turned out to be a huge success. I really love how we complement each other so well.
right click and imagine
In your curatorial statement, you mention searching for something truly unique in a sea of content. How did you apply this vision when selecting artists for 𝕹𝖔𝖎𝖘𝖊? What made the selected works stand out for you?
A/ I relied solely on my own feelings. First and foremost, I didn’t choose the artists who are always in the spotlight or riding the hype wave. Instead, I trusted my instincts. I chose those whose work I can instantly recognize among hundreds of others without hesitation, those whose vibe resonates with me the most.
I chose those whose work I can instantly recognize among hundreds of others without hesitation, those whose vibe resonates with me the most.
As a storyteller, your art often weaves narratives that connect deeply with audiences. How does storytelling influence your curatorial decisions? Did you aim to craft a specific narrative for viewers engaging with the works in 𝕹𝖔𝖎𝖘𝖊?
A/ Absolutely. These works are, in a way, a rebuttal to the main slogan of the project: "I am not human, I am just a noise."
I wanted to show everyone how I see it, ensuring that no one goes unnoticed.
I am not human, I am just a noise.
As someone who reflects deeply on the meaning of identity in the digital age, what advice would you give to emerging artists seeking to create works that stand out in an oversaturated world?
A/ I’m only interested in the vibe. I don’t want to see what’s being dictated to us. I want to see genuine expression, originality, and individuality. That’s why I would advise all aspiring artists to stay true to themselves above all else.
君の名は。
I’m only interested in the vibe.
Artist and curator 𝕹𝖔𝖎𝖘𝖊 Digital Art Auction Hannah Polza / @HannahPolza
Interview @YNKAdigital
ACCOMPART'S© — Computer Art Auction House ©
